Andrew Siddle
Andrew Siddle ignites a flame with “I’ll Light a Candle”
Andrew Siddle’s new track has a nice overall story. Not a big studio epiphany. No big breakthrough at midnight. Two friends sat on a stacked row of industrial yard pallets in the summer sun of 2023, discussing life in old words. While working on a small project and talking with his Polish friend, Nikola Maczynska, Siddle came up with an idea that later came to fruition, turning existing poems into songs.
The Islington, London native returns with “I’ll Light a Candle,” and it is a good date for a song about remembrance and new beginnings. Siddle is a modern rock and new age musician known for his singles under the names Andrew Siddle and Travelling Man Podcast, "Songs I Once Knew," and "All Hail the Postie." Here, he gradually starts to cover new ground.
“I’ll Light a Candle” is an easygoing Celtic pop ballad that’s also deceptively simple, but so full of feeling. His song draws on Irish Celtic and Scottish Western Isles customs. It speaks of lighting a candle, a simple gesture packed with memory, hope, and quiet continuity. It’s a bridge across years, past and future, poetry and music.
Besides being different in style, this release is also sincere, which makes it interesting. This is not simply trend-following, this is a labour of love. Sidle, an ex-guitarist and singer, has returned to that craft for a new reason. He’s hoping to give musical life to words that have been waiting for their second act.
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Exclusive Interview With Andrew Siddle
When poetry meets rhythm, something magical happens, and Andrew Siddle is living proof. The blues-rooted artist, poet, and storyteller returns with The Travelling Man Podcast, a creative journey that brings decades of heartfelt writing to life through music. It’s not just a podcast; it’s an experience where nostalgia and modern flair dance together.
Andrew’s story is as colorful as his sound. From the smoky blues clubs of the 70s to quiet moments spent writing poems that now find new life in song, he’s seen every corner of creativity. His work flows from gritty rhythm and blues to soulful New Age tracks, blending old-school heart with fresh perspective.
What makes Andrew so endearing is his sense of humor and genuine warmth. He laughs at his own past experiments, pokes fun at his fearless younger self, and shares wisdom that feels both lighthearted and sincere. One moment he’s reflecting on nights by the River Thames, the next he’s recalling how a spoken-word performance once had a crowd dancing.
With The Travelling Man Podcast, Andrew invites listeners to join him on a musical road trip through time, where poetry sings, blues breathes, and storytelling shines brighter than ever. It’s clever, heartfelt, and just the right amount of fun to lift your mood this October.
Grab your headphones and a cup of something strong. This one is part music history, part soulful laughter, and 100% Andrew Siddle.
Andrew, from your early blues roots and fingerpicking style to transforming decades of poetry into songs, The Travelling Man Podcast feels like a creative evolution. What inspired you to turn your poems into music now in 2025?
Well I think it should be a creative revolution! The thing is that if you have rhyming poetry , rather than the other sort, then often each four lines of rhyme are literally crying out to be sung as well as read. Poems that rhyme “jump off the page” at the reader because they are longing to be made into songs as it suits them. All of the poetry that I have converted into music is also still in its original home (published form) in four books that I did ages ago. Basically it just feels right if you change rhyming poetry into song lyrics sometimes!
The Travelling Man Podcast feels like a bridge between eras, where classic songwriting meets modern storytelling. What do you hope listeners feel when they press play?
Well what I hope listerners find is a journey between notalgia and modernity. We had fun taking some original 1960’s and 1970’s famous recorded guitar riffs and adding modern song lyrics and musical backing tweaks to invent new music! However some of the songs are also completely new and created by the project for 2025. So what you get is nostalgia with songs that are dressed up to feel like original early 70’s tracks; side by side with newly invented hip hop, rap, and New Age themed songs.
Some of your poems date as far back as 1983. When you revisit those early writings, do they make you nostalgic, or do you find yourself smiling at how far you’ve come as a writer and musician?
Well, I don’t ever like to look backwards, only forwards to the future if I can! The oldest poem, The Inner Self, was written in 1983 and is all about teenage angst and wondering which direction to go in within a life. Having said this, I suppose I do look back to musical roots in rhythm and blues and early 60’s and 70’s rock sometimes…. So maybe Im lying to myself, and there is a little bit of nostalgia hidden away someplace! 😉
You started as a blues-styled guitarist and vocalist. How much of that classic influence still flows into your current sound? Would you say your music today carries that same soulful edge or has it taken a completely new direction?
I’ve tried to produce an easy to access podcast that flows from my interest in blues on to New Age tracks because as in the year 2025 I am very much of New Age culture now. So it’s a journey from blues beginnings through to a New Age outlook, if you like! A bluesy track that I am very proud of is Father Thames. It’s all about the River Thames in London and how it used to attract down-and-outs by the little sandy stretches of ground that build up by bridge piers and similar structures.
They gather there and sit around a fire singing, swigging meths or cider, and lit by the dim night stars. I was caught out homeless years ago and spent some time as a down and out by the Banks of the River Thames myself. Anyway we did overlaid special effects, half way through to mirror the sound of London Tube trains and the echo of the crowds outside by the Thames.
You once performed an improvised spoken-word piece called The Adols that had people dancing. That sounds like a fun creative moment. Do you still find ways to bring that same spontaneous energy into your work today?
Spontaneity in the year 2025? It would fighten me to death these days…lol 😉 I was braver back then in what I was willing to try to do!
You’ve lived quite a life, from music to finance, to travel, to poetry. If you could go back and offer your younger self one lighthearted piece of advice from the road, what would it be?
Yes quite a life…Not finance though! People who deal with finance view the world in a completely different way and are an alien life form to people like me! I don’t understand their way of thinking, which is governed by the job that they do. I did things with property and land as a job but never finance; that’s not me! A piece of advice? Well what could anyone ever offer other than “keep going bro’!’”
With so many poems written over the years, how do you decide which ones deserve to be reborn as songs? Do you rely on instinct, or does the music tell you when it’s ready?
How do I decide . Well that is the thing you see…Quite often I start looking at a poem and I can’t find a suitable musical genre that it fits and just can’t make it work as a song. I have started to convert a number of my poems into song lyrics only to find that it can’t be done the way that I would like. So I give up and move on to another poem. So what you end up with is hopefully “the best of” after trial and failure of quite a few of the poems that didn’t make it.
You’ve experienced both the wild energy of the Los Angeles scene and the grounded spirit of the UK’s live circuit. What do you miss most about the music scene of the 80s aside from the big hair and denim jackets?
Los Angeles? Yes and Hazard in Sherman County, Nebraska as well! I lived in Nebraska when I was just a knee high! The 1980’s . Well the 1980’s were all about the new romantic era where as I was still into rhythm and blues at the back of my mind. Bands like Soft Cell wrote some really great hits but it’s not B B King and it’s not Eric Clapton’s Cream.
The Ednaswap era sounds like an unforgettable chapter filled with raw performances, energy, and a bit of humor too. What’s one of your most memorable or amusing moments from those early band days?
Oh well now …You see Ednaswap in the 1990’s was Ednaswap II because that is when they were doing the studio albums. Before that in the mid 1980’s Ednaswap were just a live band with no records published. So in the 1980’s the band was all about live performances. One summer we nearly died of exhaustion playing a different bar or club every day or so between L.A and New York City.
Anne Preven was in the 1990’s version of Ednaswap and also in the 1980’s original line up. Edna was a Los Angeles Hospice nurse who started the band. I was in it. Anne Preven came later when she gave up her job working as admin to los Angeles Hospice. Funnily enough Anne’s father was also in charge of Professional Ethics for the Los Angeles Hospice from his New York City Base as well..So it’starts based around the Los Angeles music scene and community really. The original line up of the band with me and Edna in it is still within the living memory of residents in L.A.
Finally, you’ve shared stages, stories, and memories with so many remarkable people. When you look back, what makes you most proud, not just as a musician, but as Andrew Siddle, the person behind the journey?
I like to be high and low! Always have been…Ive had friends such as Richard Porter a blues guitarist with the R and B band Voodoo Witch who was unemployed on one hand. On the other hand I’ve even stayed with Cher at one stage in time. I was personal guest while she was staying at one of her American development properties. The difference between Cher and Richard Porter is the difference of the throw of a dice.
It’s pure luck as to whether you exist as high or low within this world of ours. ‘I’m willing to bet Cher wouldn’t even remember me from years ago if anybody mentioned it now…but we sat on her veranda chatting for quite some time” Im proud to be somebody who shows the same respect to those who are low within the community as those who are high. I either like you or I don’t…and I don’t care who you are socially! That’s my philosophy for life….;)
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Sometimes it is not easy to start writing an article and this is one of those, Andrew Siddle is not a debutant because he made history with ‘Torn’ and ‘Ednaswap’, something absolutely unique.
The story behind this piece is peculiar, Andrew tells us how the words of the song were inspired by the Los Angeles Hospice where his first wife (Tina Kerti) was recovering from the nervous breakdown she received after filming a movie in the mid 1980s. Edna, the first singer of Ednaswap was a nurse at the hospital and already sang with Ednaswap.
Andrew toured playing his Les Paul electric guitar in the summer of 1984.
mainly improvised using blues scales and also some or some ordinary scales to work out new melodies. He also know steel string acoustic guitar finger picking styles.
But now we are not here to talk about this but about his project ‘The Travelling Man’ which consists of making songs that start from poems and then creating songs.
The entire journey includes a mix of various genres including R&B, experimental rock, contemporary rock and even hip-hop.
The point is that you will find yourself in front of a journey and even if 50 songs may seem like a lot you will not even realize that, one step after another, you are walking!
It is like when you take a short walk in the woods and after 2 hours you find yourself immersed in a beautiful forest full of colors and shades, with animals running and you do not know and do
not even want to go back.
This similarity reminded me of walks with my father in the woods near his house, where we talked about music and he tried to make me listen to the best rock from the 80s, 90s and 2000s, trying to
get me out of my ultra-commercial soul of those times.
I like that the songs are sometimes abruptly interrupted and we move on to another, what it seems to me is listening to an audio cassette where there are so many genres, so many stories and so many nuances precisely.
The discovery of this podcast is something that will make you spend a day among your memories and making you discover details that you did not remember.
This is possible due to the fact that Andrew from the 80s was already in the world of music both with Ednaswap and logically with himself immersed in the musical world of Los Angeles for example, something that can only be understood by those who have been part of it and that brings us here in this podcast.
Do yourself a favor, I know you can’t make an audio cassette or CD which would be the best thing since you would have to listen to this completely isolated but download the podcast on your phone and then put it on airplane mode and go out and do something, a trip, walk, drive and you will see that later you will thank me!
Find the podcast below!
Article made by Alessandro Cicioni
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Andrew Siddle – All Hail the Postie! Review: A Playful Rock Ode to the Unsung Heroes of Everyday Life
Andrew Siddle is a multi-talented British artist whose creative journey defies convention and thrives on reinvention. Born in North West England and now based in Islington, London, Andrew’s life has been a fascinating tapestry of artistic evolution, international experiences, and a lifelong passion for storytelling. From his early days as a blues-inspired guitarist and finger-picking musician to his time as the original vocalist and guitarist in the 1980s lineup of Ednaswap, Andrew has always held music close to the core of his identity. However, it is his work as a poet, dating back to 1983, that has become the driving force behind his most recent and ambitious venture: The Travelling Man Podcast.
A former film industry stuntman, Andrew Siddle has lived in far-flung corners of the world, from the quiet towns of Nebraska, USA, to the rich culture of Rabat, Morocco, experiences that have shaped his worldview and infused his poetry with both depth and diversity. Over the decades, his verses have documented a life lived fully and thoughtfully. But rather than letting these poems remain on the page, Andrew envisioned something greater. His Travelling Man project dedicated to Nikola Maczynska and her family in Poland, converts his decades of poetry into vibrant, genre-spanning musical compositions, ranging from R\&B and hip-hop to pop, experimental rock, and contemporary rock.
Working alongside talented session musicians from both the UK and the USA, Andrew brings his poetic world to life through immersive soundscapes and vivid storytelling. His recent success with the track The Songs I Once Knew (released December 2024) earned him growing radio exposure, especially through support from Alessandro Ciccioni and the Formula Indie Radio Show. Following the positive reception of his 2024 single The Songs I Once Knew, which gained steady radio airplay and support from tastemakers like Alessandro Ciccioni and the Formula Indie Radio Show, Andrew has set his sights on building greater momentum through radio. By crafting lighthearted, narrative-rich songs like All Hail the Postie!, he aims to reach broader audiences with music that is both relatable and musically engaging.
Releasing July 17th, 2025, Andrew Siddle’s new single All Hail the Postie! is a jubilant and imaginative musical tribute to one of society’s most quietly heroic figures: the everyday postman and postwoman. Born from a poem of the same name and transformed into song as part of his Travelling Man project, this charming track is bursting with life, character, and quintessential British warmth. With a sound grounded in modern contemporary rock and peppered with clever percussive details that emulate early morning letterbox rattles and door knocks, All Hail the Postie! delivers an unforgettable listening experience that is both fun and meaningful. Crafted with care by a transatlantic team of skilled studio session musicians and infused with Andrew’s signature poetic flair, the single captures the simple, hardworking beauty of postal delivery with creativity and heart. It’s more than just a song, it’s a celebration of everyday grit, human connection, and the unsung rhythm of morning routines. With its theatrical delivery, textured soundscape, and sincere storytelling, All Hail the Postie! arrives right on time, and in perfect form.
Andrew Siddle’s All Hail The Postie! bursts to life with a wave of quirky guitar strums and a tight, punchy beat that immediately injects the track with personality and charm. Right from the opening seconds, there’s an irresistible burst of energy that draws you into its cheerful world, one that’s painted in bold, vibrant strokes of British wit and narrative flair. This isn’t a slow-build or a meandering atmospheric piece; the track jumps straight into action with full confidence, kinetic motion, and a glint of playful mischief. It feels like a door flung open to a crisp morning, one where life is buzzing and brimming with charm, humor, and anticipation. All Hail The Postie! proudly stands as a fun, light-hearted, yet sincere tribute to UK postmen and postwomen, setting a jubilant tone that holds strong, unwavering, and delightfully animated from start to finish.
One of the most striking and inventive aspects of this track is its use of percussive rhythm to mirror the tactile, everyday sounds of a postal route. The drumbeat is more than a beat, it was cleverly crafted to emulate the sound of letterboxes rattling, door knockers clattering, and the subtle cadence of footsteps echoing down a residential street. This imaginative design transforms the rhythm section into a vivid storytelling mechanism, painting the soundscape with lifelike texture and clever nuance. With each knock-like snap and box-like clatter, you’re not just hearing a song, you’re stepping into the daily loop of a postie’s journey. It’s this brilliant layer of sonic mimicry that elevates the production beyond catchy composition, giving it atmosphere, character, and depth while keeping the listening experience engaging, immersive, and delightfully cinematic.
Andrew Siddle’s vocal delivery takes center stage with a tone that’s unmistakably cheeky, animated, and rich with theatrical character. He doesn’t merely sing about the postie, he becomes one, inhabiting the role like a neighborhood storyteller with a twinkle in his eye and a tale to share. His voice moves with expressive agility, dancing through each line with an infectious bounce and perfectly timed humor. There’s a sense of delight in every phrase, as though he’s winking through the melody, making the listener feel like part of a delightful neighborhood secret. Yet beneath all that charming flair lies something sincere, a real, heartfelt fondness for the people who do this work every day. It’s that rare balance between playful performance and emotional authenticity that gives this track its magnetic charm and deep human warmth.
The musical structure itself is a clever mirror of the natural rhythm of a postal route, spontaneous, fluid, and filled with small bursts of energy. It doesn’t follow a rigid pop structure, but flows organically, moving between sections of spirited momentum and moments of casual, reflective ease. The transitions are seamless, almost invisible, allowing the instrumentation and vocals to breathe together in perfect sync. The guitar riffs remain bright and chipper, the percussion keeps things sharp and tactile, and the overall palette stays light enough to let the story shine. Yet within that simplicity lies a deliberate richness, a layered interplay that creates a fully realized sonic world. These thoughtful choices help the track capture the essence of the routine, structured, yes, but filled with color, purpose, and humanity.
The synergy between vocals and instrumentation is where the true emotional heartbeat of this piece lives. They don’t just coexist in the mix, they converse, responding and dancing around each other with a beautifully intuitive sense of timing and tone. The music rises and falls in perfect tandem with the narrative, swelling subtly when Siddle’s voice lifts in energy and softening gently when he slips into a more reflective or conversational mood. It’s this finely tuned dynamic that gives the track a sense of movement and life, as though the instruments themselves are part of the storytelling team. The production remains clean and deliberate, making sure every layer, from the most whimsical knock-like tap to the crisp vocal enunciation, has its own space to shimmer, yet never disrupts the warm cohesion of the piece.
All Hail The Postie! is a joyful, rhythmic tribute turning everyday postal life into a charming celebration of routine and humanity.
In the end, All Hail The Postie! emerges as a small but mighty triumph, a musical salute that finds joy in the everyday and spins it into something both heartfelt and deeply enjoyable. It’s not just a catchy tune to hum along with, but a thoughtfully crafted tribute full of charm, intelligence, and gratitude. Andrew Siddle has taken a slice of humble, unnoticed life and transformed it into an anthem of appreciation, a vibrant, musical postcard that honors the unsung heroes weaving through our neighborhoods rain or shine. Through clever sound design, charismatic performance, and warm, witty storytelling, this song becomes something greater than a novelty, it becomes a spirited celebration of human connection, routine beauty, and the value in small acts. In a world that often rushes past the ordinary, this track reminds us to pause, smile, and give a hearty cheer to the humble postie, with all the music and mischief they deserve.
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Andrew Siddle’s single “The Songs I Once Knew”, released on December 7, 2024, is a rich, soulful track that blends contemporary rock with a vibrant Afro-inspired brass backing. The song touches on the struggles of a band whose music goes unheard, woven through a narrative of personal challenges like marital issues and the pressures of life. Siddle brings these deep, emotional themes to life with a sound that is both fresh and familiar, capturing the essence of a timeless struggle in an uplifting musical form.
The song stands out not only because of its poignant lyrics but also because of its unique musical approach. The beat is infectious, with a bouncy rhythm that immediately draws you in, making the track feel upbeat and engaging. At the same time, the brass section adds an extra layer of depth, infusing the song with energy and a sense of celebration, despite the underlying sorrow in the lyrics. This contrast creates a dynamic listening experience, where the music’s liveliness beautifully complements the more somber narrative. The story behind “The Songs I Once Knew” is deeply personal for Siddle. As part of his ‘Travelling Man Series’, the track is derived from poetry he’s written over the past decades. Siddle takes his original poems and transforms them into compelling song lyrics, creating a bridge between his work as a poet and as a musician. The song speaks to a sense of loss, not just of a band’s forgotten music but also of the broader sense of dreams left unfulfilled. The pain of the unlistened songs parallels the emotional toll of life’s ongoing struggles, offering a raw and relatable reflection.
Siddle’s background in blues guitar and his history with Ednaswap and Lindisfarne come through in the song’s composition. The track’s catchy riffs and steady rhythm are a nod to his musical roots, blending seamlessly with his poetic storytelling. The recording, done in the UK with session musicians, results in a polished production that still feels heartfelt and intimate, with a distinct warmth that resonates throughout the track. Overall, “The Songs I Once Knew” is more than just a catchy single—it’s an exploration of personal reflection, the passage of time, and the emotional journey that accompanies both. Andrew Siddle has successfully merged his past experiences with his current musical evolution, creating a song that speaks to anyone who has ever felt the weight of unspoken dreams or the struggle of being overlooked. It’s a reminder that while the songs may go unheard, their echoes live on, marking moments of resilience and longing in the face of adversity.
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Andrew Siddle: The Creative Force Behind All Hail the Postie! and the Travelling Man Podcast
Andrew Siddle is a British artist whose creative path reflects a remarkable commitment to evolution and reinvention. Hailing from the North West of England and now living in Islington, London, Andrew’s artistic life is a dynamic blend of music, poetry, global exploration, and storytelling. His artistic journey began with a passion for guitar, rooted in blues and intricate fingerpicking. He was also part of the original 1980s lineup of Ednaswap, serving as both lead vocalist and guitarist. Though music has always been central to his creative identity, it is Andrew’s enduring dedication to poetry, dating back to 1983, that has come to define his current and most ambitious artistic endeavor: The Travelling Man Podcast.
In addition to his creative achievements, Andrew Siddle has lived a uniquely adventurous life, including time spent working as a stuntman in the film industry. He has called places like rural Nebraska and the culturally rich city of Rabat, Morocco, home, experiences that have left their mark on both his worldview and his poetic expression. Over time, he transformed these life experiences into verses that capture reflection, wonder, and emotion. Refusing to keep his poetry confined to written form, Andrew expanded its reach by setting his verses to music, giving rise to The Travelling Man Project. Dedicated to Nikola Maczynska and her family in Poland, the project transforms decades of poetic thought into an eclectic musical portfolio spanning R&B, hip-hop, pop, experimental, and modern rock styles.
Working in collaboration with a talented network of studio musicians from the UK and the US, Andrew infuses his poems with rhythm, melody, and meaning. His 2024 single The Songs I Once Knew, released in December, found a warm reception among listeners and radio platforms, helped in large part by the support of tastemaker Alessandro Ciccioni and the Formula Indie Radio Show. Building on that momentum, Andrew continues to focus on radio as a key platform for his music. His latest effort, All Hail the Postie!, aims to reach even more listeners with its spirited tone and narrative charm.
Set for release on July 17th, 2025, All Hail the Postie! is a cheerful and imaginative tribute to postal workers, those often-overlooked individuals who keep our lives running with quiet dependability. Originally penned as a poem, the piece was adapted into a musical composition under The Travelling Man Project, blending contemporary rock with subtle audio cues that mimic early morning sounds: the rustle of letters, the knock on the door, and the shuffle of footsteps. The song radiates warmth and charm, combining thoughtful lyricism with playful instrumentation. Produced in collaboration with a transatlantic team of seasoned session musicians, the track highlights Andrew’s distinctive poetic voice while honoring the unsung heroes of everyday life. Far more than a novelty, it offers a heartfelt tribute to community, routine, and the dignity in ordinary work.
The song kicks off with vibrant guitar strums and a tightly constructed beat that instantly sets an upbeat tone. From the first few seconds, the energy is unmistakable, lively, colorful, and unmistakably British in its wit and storytelling. Unlike tracks that ease in slowly, All Hail the Postie! leaps into action with enthusiasm and confidence, capturing the bright, bustling spirit of a fresh morning. It feels like opening the door to a familiar scene filled with character, humor, and everyday charm. The track maintains this joyful atmosphere throughout, offering a musical salute to postal workers in the UK, packed with both affection and exuberance.
A particularly inventive element of the song lies in its use of percussion, which replicates the real-life sounds of a postal round. The rhythm section was carefully constructed to suggest the metallic clink of mailboxes, the rap of a knocker, and the rhythmic steps of a delivery walk. These sounds are not just decorative; they bring texture and realism to the song, immersing the listener in the day-to-day life of a postie. This clever use of everyday noise within the rhythmic structure gives the piece an added layer of personality and turns an ordinary soundscape into a vivid, musical narrative. These details elevate the track beyond conventional composition, offering a listening experience that is both engaging and visually evocative.
Andrew’s vocal performance takes on a theatrical edge, adding another dimension of liveliness and charm to the piece. He doesn’t just describe the postie, he becomes the character, infusing his delivery with humor, energy, and warmth. His voice shifts expressively from line to line, bringing a sense of performance that makes the story come alive. There’s a sparkle in his tone, a sense of mischief and affection, as though he’s letting the audience in on a delightful neighborhood story. Yet, for all its playfulness, his delivery also carries genuine respect for the people he’s celebrating. This balance between animated expression and heartfelt sincerity gives the track its emotional resonance and enduring appeal.
Structurally, the song mirrors the unpredictable yet purposeful nature of a delivery route. It avoids rigid pop formulas in favor of a more fluid progression, moving effortlessly through upbeat bursts and gentler, conversational interludes. The transitions feel natural and unforced, allowing instruments and vocals to interact organically. The guitar remains bright and rhythmic throughout, while the percussion lends a consistent tactile quality. The result is a track that feels both grounded and imaginative, structured and spontaneous, a musical reflection of the very subject it honors.
The interplay between Andrew’s vocals and the instrumental arrangement is where the song finds its emotional center. Rather than existing in separate spaces, the voice and instruments respond to one another in a subtle musical dialogue. As Andrew’s vocal tone shifts in energy or mood, the music swells and settles in kind, enhancing the narrative arc of the song. This harmony between elements brings a natural flow to the track, one that feels instinctive and thoughtful. The production remains crisp and clear, ensuring that each element, from percussive nuances to lyrical phrasing, retains its place while contributing to a cohesive whole.
Ultimately, All Hail the Postie! is a joyful and well-crafted celebration of ordinary heroes. It transforms a simple routine into a vivid musical tale filled with warmth, humor, and appreciation. Far more than a catchy tune, the song is a tribute to community, consistency, and the quiet acts of service that often go unnoticed. Andrew Siddle has taken an everyday experience and turned it into an anthem of gratitude and charm, a musical love letter to those who deliver not just mail, but connection, care, and continuity. Through smart production, poetic depth, and charismatic performance, All Hail the Postie! becomes more than just a song, it becomes a reminder to recognize and cherish the seemingly small roles that hold daily life together.
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REVIEW - Andrew Siddle Poetry series - "The Travelling Man" 2018.
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The Travelling Man: Mythology, Folklore & New Age Culture Collide – in Eclectic Poetry by Andrew Siddle.
With volumes including ‘Distant Ramblings’, ‘Rambling Man is Moving On’, ‘Further on Up the Road’ and the latest ‘Towards a Distant Horizon’ – each of Andrew Siddle’s compelling and emotive verses blends a unique cocktail of mythology, modern street poetry, nature, travel and ancient traditions. With each volume also containing a series of pictures and introductions to each poem, Siddle’s work goes beyond convention to leave readers reconsidering many areas of their lives.
FOR IMMEDIATE RELEASE
United Kingdom – While many poets shoebox their work into a single genre, mood or style, the UK’s Andrew Siddle refuses to conform to convention. In fact, for lack of a better analogy, Siddle threw the literary rulebook out of the window years ago. He has also lived an unconventional life, rising from a career as a property and land specialist, while also working on occasional projects for UK Intelligence Services, for missions abroad, in his earlier years.
His varied life experiences have resulted in four bold, reflective and highly-uplifting volumes of poetry that cover a broad range of ancient mythology, modern street poetry, travel, nature and culture. In short, Siddle’s work is timeless.
Synopsis:
‘Distant Ramblings’ - This is a book of poetry by Andrew D Siddle. The poems are all in the form of everyday observations both about life and about aspects of modern culture and mythology.Some of the poems are in rhyme, some in popular prose poem style, and one is in limerick form. Andrew Siddle has been writing poetry since the year 1983. This anthology of his work takes what have been the best of his poems and puts them into a book form called Distant Ramblings. An introduction page is offered for each poem together with a photo book plate illustration. Each poem introduction page outlines why the poem was written, what it means, and any interesting bits of information, or "Distant Ramblings" as they are, about each poem.
‘Rambling Man is Moving On’ - This is a book of poetry by Andrew Siddle. It is the second in a series of his published books of poetry.All of the poetry is contemporary , New Age, or about mythology and history. Andrew has been writing poetry since the year 1983. Each poem is accompanied by a photo book plate and a description of why the poem was written or what it is about.
‘Further On Up the Road’ - This is the third book in the series of poetry books written by Andrew Siddle. An inspiration from life and events going back to 1983! Plus interesting interpretations of historical and mythological events converted to poetry....and all in one book! The book consists of author's observations and introductions to each poem, photo illustrative book plates, and interesting comments or "distant ramblings" by the author!
‘Towards a Distant Horizon: (Rambling all the Way!)’ - Once again here is the quintessential Andy Siddle mix of rhyme, prose poem, illustrations, and author's random observations, or Distant Ramblings, as they are!
“I call this entire series ‘The Travelling Man’ – written to appeal to a wide audience from teenagers to adults, and each inspired by my life over the past three decades” explains the author. “It all started back in 1983 when my first love, Tina Braybrook, stood up in front of the English literature class at Tresham College of Further Education and dedicated the poem that she recited to the class to me. From that moment on, poetry has been my creative focus and a huge driving force in my life.”
Continuing, “Each poem in this series starts with an introduction to give background to its inspiration and structure. But don’t expect a book of just conventional verses; there are also cinquains and limericks, making it a diverse and brave collection.”
Reviews have been positive. For example, J loved ‘Rambling Man is Moving On’, writing, “The poetry in this book is mostly contemporary, sometimes of historical interest, sometimes New Age culture and sometimes classical; but always trying to give a little something to please everyone.”
All volumes in ‘The Travelling Man’ are available now: https://amzn.to/2rJEmUz.
For more information, visit the author’s website: https://www.sirandrewsiddle.com.
Paper back and ebook versions available from Blackwells Books, in the UK, and Barnes and Noble Books in the USA.
About the Author:
The author is, by profession a property and land specialist. He is a Fellow of the Property Consultants Society and has been a Fellow of the Institute of Paralegals. He researches, and contributes towards, academic matters relating to Property and land in the UK and also deals with land and property technical matters in Practice.
Through both public policy research, within the Centre for Urban & Regional Studies, and his own external research interests he was one of a number of contributors paving the way for the Countryside and Rights of Way Act 2000 back in the 1990's.
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